Barbara Gorton

Barbara Gorton began working with ceramics in 1974, initially as a hobby. She returned to the craft just before the birth of her son, thinking it might be a practical pursuit—but what followed was a deep and lasting fascination. The unpredictability and challenge of working with clay quickly drew her in. “Clay lets you down all the time,” she has said, “so you have to be resourceful.” That sense of constant problem-solving became central to her practice.

Gorton’s realization that her work could resonate with others came during a college sale, where she was astonished by the number of people eager to buy her pieces. Encouraged by this response, she began selling at London’s Portobello Market every Saturday for a decade. Her work drew attention from major retailers, including Bloomingdale’s and John Lewis, though scaling production proved difficult as a solo artist.

While she has never aimed to make a full living from selling ceramics—relying more on teaching for income—Gorton has remained committed to creating for the joy it brings. Her inspiration often stems from museum visits and ancient pottery, which influence the forms and aesthetic of her work.

Gorton’s ceramics are characterized by their quiet minimalism paired with bold physical presence. Above all, she hopes that those who encounter her work feel a sense of joy—a simple but powerful connection between maker and viewer.